New Life

Well, the campaign has ended, and I’ve moved my desk contents back up to the Bremers’ house. My duties have become a little more varied. For instance, I got to work one day last week to find all the Shetland sheep in the driveway on the wrong side of the railroad tracks. I herded them back down the driveway with my car until we reached the gate to the riding ring, where they piled against the gate, waiting for me to put them back in. When they got out again later in the day, I found the hole in the fence where they were getting out (because two of them put themselves back the same way they’d gotten out) and tacked the hogwire back in place.

This morning I opened the front door and nearly ran into Duncan, who was barrelling outside. “Looks like we’ve got a foal!” he exclaimed and rushed out to the paddock. I followed, and sure enough, there was a small scale horse on the other side of the fence. Michele was feeding, and she told me to grab a halter and put Abbey in the riding ring. When I got finished, Michele was telling Duncan how to imprint the foal. “Put your arm around its neck and your other arm around its rear end. Don’t let it go! Hold it for a few minutes. We’ll have to do this several times a day to get it used to being controlled by people. Do we know if it’s a boy or a girl?”

“I think it’s a girl,” said Duncan. They examined the foal’s backside. “Yup, it’s a girl.”

Michele told me to go get some Betadine and a narrow container. She filled the container with the Betadine and had me hold it under the filly’s belly to soak the end of her umbilacal cord. The filly jerked and jumped at the cold liquid on her belly, but Duncan held her still. She calmed down. Her momma Cadeau came over to check on her baby and then went back to eating the grain Michele had poured into the manger for her.

Once Michele was satisfied the filly had been held long enough, she instructed Duncan to wait until the filly was absolutely still before letting her go and to walk away from her, not let her walk away from him. The filly looked around a bit and then went over to her mother, nosing around her hindquarters and belly before finally figuring out where her two nipples were. Then she started making slurping sucking noises and dribbling milk.

Duncan found the placenta up by the barn and brought it down to the yard to spread in the grass. It’s important to find the placenta and make sure it’s fairly complete. If there’s any left in the mother, it can rot inside the uterus and make the mother very sick. The placenta was huge, full of wide veins and arteries. It was attached by the umbilical cord to the sack, burst like a popped balloon. There was also a weird brown chunk of tissue, about 6 inches long, 3 inches wide, and half an inch thick. “It’s the consistency of sweetbread,” said Duncan. He and I wondered if it were a stillborn twin. Duncan waited until Michele could examine it all before putting it in a plastic bag and putting that in the fridge.

Michele called everyone involved in Wings Like Eagles year round and told them the good news. She stayed on the phone for I don’t know how long with someone talking about names. To name a horse, you take the name of your ranch and then add something about it’s lineage. Of course, you don’t actually then call a horse by its real name.

Between phone calls, she asked me to feed up at the barn. I put some hay over the fence into the pasture for everyone out there (who were happily grazing in the tall grass from this unseasonably wet summer) and put some on the ground in a dry spot for Cadeau. I called to her, and she came over, her new foal following her as tightly as her own shadow. The foal was didn’t know what to think of the hay. I stroked her neck for a long while, and she seemed to like that.

I started to work at my desk while Kelly kept calling to talk to Michele, who was, of course, on the other line. “What does she look like?” Kelly asked.

“She has one white hoof!”

“Is her coat dark or light?” Kelly asked, unsatisfied with my answer. Uh… “What color is her mane?” she demanded.

“Uh, it’s dark… I think.” I mailed Kelly a picture as soon as I could so she’d stop asking me questions.

Finally, Kelly called and said, “Um, we’re here, and the foal is lying on the ground in the sun.”

“Great! Go say hello!”

“But the foal isn’t moving!”

“Well, it’s a baby, it’s going to sleep a lot. I’ll be right there.”

“Okay, we’re up at the barn.”

I walked up through the paddock and found Cadeau munching on weeds with the foal passed out next to her. Kelly and her brood of Beedles were on the other side of the fence. Kelly’s been around horses most of her life, but this was her first foal experience. It was mine too, but I’d just had a crash course that morning. “Come on!” I said, kneeling down and caressing the foal, who woke up and after several tries rose up on her wobbly legs. Nicki arrived with her two girls, and Cadeau decided there were too many people around and led her offspring down to the other end of the pasture. I caught her around the neck to keep her still so the kids could examine the foal.

The foals coat was unbelievably soft, especially her mane. Kelly’s eldest picked up one of her tiny hooves. The frog was full of hair!

The kids all had ideas about what to name her (her nickname, that is). Kelly wanted to name her Talitha (little girl) and call her Tally. Nicki wanted to name her Reepicheep. Kelly’s daughter thought we should name her Shelly.

Duncan and Michele are going to Wichita for the weekend, and the Harmons are housesitting. Michele asked me to show them the placenta and how to tell if it’s all there. So I drug the garbage bag out to the backyard and emptied the by now rather muddy placenta onto the grass and spread it out showing them the three big lobes and the broken sack. Michele said she had talked to the daddy’s owner Jean, who said that one in every 50 or so births includes the weird sweetbread tissue. There’s a scientific name for it (which she couldn’t recall right off), and no one knows what it is. How weird is that!

I was pretty proud of the kids all gathering around the huge placenta genuinely interested and not showing a single sign of disgust. When we had finished examining it, I threw it all into the chicken coop, although the chickens didn’t seem very interested. I tossed the sweetbread in too. “What’s that?” asked Kelly’s youngest, Ruthie.

“Nobody knows,” I told her.

“I think I know what it is,” Ruthie said. “It’s a little pillow for the little baby’s head to sleep on.”

That sounded as good an explanation as any.

Cado's Foal

Yes, check out the pictures in Photographs –>

I’m it.

Okay, so I’ve been tagged in what is apparently a game of blog tag by my friend Cara. Hooray for RSS feeds. I have to answer the question

A Novel Idea:
If I could write a novel about any subject, what would it be?

I also have to tag several people to answer the same question on their blogs (and trackback here). If they don’t do so, that means they don’t love me enough to read my blog. I hereby tag Nathan, Ben, Berck, Sydney, and Mom. I would tag other people to whom I’m not related, but then I could hope to only get a response within several months. All of the above mentioned have to tag 5 other people… or… you’ll catch athlete’s foot the next time you use a public restroom.

So. What would I write a novel about? I’ve never understood how someone writes fiction. I love to write… but only about capturing slices of reality. I wouldn’t know what to do creating a world that doesn’t exist.

That isn’t to say that I don’t enjoy reading fiction. I especially love science fiction, where EVERYTHING… setting, species, constellations… are created out of thin air. But I think I lack the ability to lie that easily. I can paint a watercolor of a landscape out my window; I might even be able to paint it from memory. But to just come up with it out of my head? Not so easy.

I’ve tossed around the idea of writing a political thriller about the real power bosses in government. But I’d have to be making all sorts of stuff up, because I haven’t got a clue. I’ve also thought about writing science fiction short stories. (I come up with great ideas all the time, like what really causes Alzheimer’s isn’t a wasting degeneration of brain tissue but a temporal shift. But then I’d have to flesh the idea out with, like, characters and settings and stuff. Sigh.) Dang, I could make a bundle if I churned out cheap romance novels. And most literary intellectuals of the 20th century made their living writing mysteries (minus Lewis and Tolkien, who had the ability to write fantasy).

So I settled on a novel about a non-traditional relationship between a 21 year old and a 14 year old who fall in love but must wait 8 years to get married.

Movies… because you asked.

After watching Thumbsucker I asked Joanna how she’d rate it. “Ben would like it,” she responded. And I agree, Ben would like it. It’s entertaining and suitably serious without being depressing. It will probably appeal more to a younger audience as ostensibly about a teenage search for truth. Much of the movie tends to focus on age, investigating at what sort of activities are appropriate for a given age and position: all the characters tend to violate our preconceived notion of “normal” parameters. A-.

Happy Endings is worth watching simply because its style is unique. It too is entertaining, and takes an almost comedic look at situations which any other movie would overbearingly treat as hopelessly dramatic. B.

Mona Lisa Smile wasn’t as aimless and hollywoody as I suspected it would be, but it hardly stood out as a great movie. I got it mostly because, well, my queue was empty and I like Julia Roberts. Plus I teased Jonah that it would have lesbian sex scenes, and she insisted that there was no way. No lesbian sex scenes, but the subject was certainly addressed, the movie being about an all girls school. Jonah said simply, “Well, it wasn’t as bad as I thought it would be.” C+.

Same Time Next Year, from 1978, is a bit older than our average Netflix selection, but is well worth watching. It’s adapted from a play, and very much feels like a play. It was quite well made, and despite being about adultery, Jonah enjoyed it as well. I picked it because I was on something of an Alan Alda kick. The premise (a couple meets once a year for 25 years to carry on an affair despite both of them being happily married to other people) certainly has potential and the movie did a reasonable job of telling an entertaining tale of two lives and the changes they go through. B+

I liked Same Time Next Year despite the fact that it showed two people undergoing continuous, dramatic exterior evolution, but still seemed to hold true to my basic understanding of human behavior: After a certain relatively young age, say 16 years or so, people are incapable of a substantial change in basic behavior. Something’s Gotta Give both challenges and simultaneously affirms that idea. Jack Nicholson is suitably entertaining as usual. Furthermore his character made me wish I could be a crazy old dude whose behavior could be simply discounted due to age. B+.

No Direction Home is a two-disc documentary about Bob Dylan. I watched the first disc, and while I didn’t dislike it, I found it less than informative about who Bob Dylan really is. I haven’t rented the second disc yet, but also haven’t decided I’m not going to rent it. C.

I added Proof to our queue because Jonah told me to. I suspect she told me to simply because she thinks Gwenyth Paltrow is hot. It wasn’t a bad movie, but lacked a worthwhile premise or plot. The characters weren’t boring, but lacked suitable intruigue and seemed to be over-acted in order to make up for the lack of a decent script. C.

It’s over.

Well, the campaign has ended, and as you probably know, we didn’t win. What you might not know is that we actually did quite well, though not for our campaign.

The election results were right on target with the two polls I conducted, except for one thing: Bentley Rayburn and Duncan Bremer’s percentages were reversed. (For instance, everyone seemed to think that Mayor Rivera had a very good chance of winning, but my polling showed him about where he ended up. See http://coloradopols.com/showDiary.do?diaryId=1542.)

So what happened? Well, we had run a very positive campaign since February. We’d been out on the street smiling and waving almost every day for about a month prior to the primary. And so when people started thinking about voting, they thought about that positive candidate… what was his name again?

And right before the election, Bentley Rayburn’s campaign unleashed a huge media blitz, talking about integrity and how he was the positive candidate. And he had money raised from all over the country to outspend us 10 to 1 those final two weeks. Everyone, even his own campaign, was surprised that he came in third. It was a brilliant move on his campaign to be able to piggyback on what we’d been working toward for months. Congrats, General Rayburn, on running such a successful campaign… we wish you the very best in your next endeavor! (It wouldn’t have mattered if we had all of his votes and all of ours… we still wouldn’t have won.)

So we may not have won the race, but we did make a difference in it. Duncan always brought the debate back to issues instead of slogans. He stressed the utmost importance of integrity in a race that got down and dirty. And most of the other campaigns went out of their way to compliment us on running our campaign with honor and integrity. I hope we made a difference in politics in this part of Colorado for years to come.

Junebug

I’ve gone and done it now… watched two good indie movies in a row. Considering that the ratio of bad:good indie movies is about 10:1, I’ve got 20 bad ones in store. And I don’t think I can take it:)

Junebug is hardly one of those movies that I’d tell anyone, “You really should watch this movie,” not because it was bad, but because it’s not the sort of movie I tell people to watch. It’s about a small-town southern family and is an honest portrait. The movie quietly points out how funny these people are without making fun of them while simultaneously showing us their flaws without making us think that life sucks. I don’t always agree with Roger Ebert, but I think he’s right on about this movie. I’d give it an A-, but there was one fake southern accent, so it gets downgraded to a B+. Considering that most movies are full of fake accents, it was refreshing to see a bunch that weren’t. The one fake accent was good enough that Joanna insisted it was real. She finally agreed it was fake after discovering the actress was from Colorado. I’m not sure why I’m better at spotting fake southern accents than Jonah is, perhaps because I’ve spent a much larger portion of my life in the South. And she’s the one who thinks it’s acceptable to say, “I’m fixin’ to leave.”